LOS ANGELES – A surreal 93rd Academy Awards, a televised stage show about films that mainly go online, began on Sunday with Regina King, a former Academy Award winner and director of One Night in Miami, who performed for Dinner strutted club set.
“It’s been quite a year and we’re still in the middle of it,” she said solemnly, referring to the pandemic and the guilty verdict in the George Floyd murder trial. “Our love of movies helped us get through.”
With very little additional preamble signaling a restrained ceremony reduced to the essentials, the sloppy opposite of typical pomp and circumstance, Oscar statuettes were distributed. Emerald Fennell, a first-time nominee, won Best Original Screenplay for Promising Young Woman, a startling revenge drama. The last woman to win this category alone was Diablo Cody (“Juno”) in 2007.
“It’s so heavy and so cold,” Fennell said of her little gilded husband in a spontaneous speech that picked up one she wrote when she was 10 and loved Zack Morris on the television series “Saved By the Bell.”
It was one of the few carefree moments on a television show that featured marathon acceptance speeches. (Play-off music didn’t seem to exist.)
At the ceremony, there was a possibility that the night might go down in Hollywood history. People of Color were nominated for all four acting awards – an indication that the film industry has made significant reforms. The academy, with around 10,000 members, is still predominantly white and male, but the organization invited more women and colored people to join its ranks after the intense # OscarsSoWhite protests in 2015 and 2016, when the incumbent nominees were all white . This year nine of the 20 nominations went to people of color.
As expected, Daniel Kaluuya was named supporting actor for playing the leader of the Black Panther, Fred Hampton, in Judas and the Black Messiah.
“Bro, we’re out here!” Kaluuya shouted solemnly before changing gears and crediting Hampton (“what a man, what a man”) and ending with the cri de coeur: “If they played divide and conquer, we said unite and ascend.”
The supporting actress award went to Yuh-Jung Youn for playing a strangely edgy grandmother in Minari. She was the first Korean actress to win an Acting Oscar and only the second Asian woman. The first was Miyoshi Umeki, a Japanese-born American actress who was recognized in 1958 for playing a bride who encounters racism in Sayonara.
“I am happier than you” Youn said a laugh to Glenn Close, a nominee for supporting actress. (Peter O’Toole and Glenn Close now jointly hold the record for the most nominations in the no-win acting categories – eight apiece.)
In other premieres, Mia Neal and Jamika Wilson became the first black women to win the Oscar for Makeup and Hair Styling, an award they shared with Sergio Lopez-Rivera for their work on Ma Rainey’s Black Bottom. Ann Roth won “Ma Rainey” for her costume design and, at 89, became the oldest woman to ever win an Oscar.
Chloé Zhao was named best director for Nomadland, a bittersweet meditation on grief and the damaged American dream. Zhao, a Chinese woman, was only the second woman and the first black woman to win the award. (Kathryn Bigelow was celebrated for directing The Hurt Locker in 2010.)
“I’ve been thinking a lot lately about how to move on when things get difficult,” she said in her acceptance speech, referring to a Chinese poem she read with her father that said, “People at birth are utterly “started well.”
Updated
April 25, 2021, 10:38 p.m. ET
“This is for anyone who has the faith and the courage to hold on to the goodness in themselves and hold on to the goodness in one another,” she said.
Fennell was also nominated for “Promising Young Woman,” which was the first time two women have been nominated.
Zhao’s victory was expected. It had been celebrated by nearly 60 other organizations, including the Directors Guild of America and the British Academy of Film and Television Arts.
Christopher Hampton and Florian Zeller won the adapted script award for “The Father” about the devastation caused by dementia. Another Round, about middle-aged men who want to get drunk every day, won an Oscar for International Feature Film (formerly known as Foreign Language Film). The Danish filmmaker Thomas Vinterberg dedicated “Another Round” to his daughter Ida, who was killed in a car accident in 2019.
“Perhaps you’ve pulled some strings somewhere,” said Vinterberg, creating a remarkable moment of emotion.
Hollywood wanted the TV show’s producers to do an almost impossible hat trick. First and foremost, they were asked to create a show that would keep TV ratings from dropping to alarming lows – while also celebrating films that, for the most part, had little audience relevance. The production team, which included Oscar-winning filmmaker Steven Soderbergh (“Traffic”), is also hoping to use the television show to start the theater. This is no easy task when most of the world has been at the box office for more than a year. Ultimately, manufacturers had to integrate live camera feeds from more than 20 locations in order to comply with coronavirus security restrictions.
The Academy of Arts and Sciences for Feature Films had postponed the event, which usually takes place in February, to escape the pandemic. Nevertheless, the red carpet had to be radically reduced in size and the extravagant parties canceled. The set is reminiscent of Hollywood’s earliest days when the Oscars were held in dinner clubs – laid-back insider events without worrying about the TV crowds finding them compelling.
Netflix was back in the best picture race.
Netflix received its first Oscar nomination in 2014 for The Square, a documentary about the Egyptian revolution. Since then, the streaming giant has dominated the nominations, in large part due to the high spending on price campaigns. It amassed 36 this year, more than any other company, with Mank receiving 10 more than any other film.
Netflix has won several statuettes, including for documentaries (“My Octopus Teacher”), hair / make-up and costumes (“Ma Rainey’s Black Butt”), animated shorts (“If something happens, I love you”) and live action – Short films (“When something happens, I love you”) “Two distant strangers”).
But Netflix and its astute price warriors keep snooping in the end.
Last year the company’s hopes were based on The Irishman. Not even one of his 10 nominations was able to convert into a win. In 2019, Netflix pushed “Roma”. It won three Academy Awards, including one for Alfonso Cuarón’s direction, but lost the Grand Prix.
On Sunday, Netflix had two nominees, “Mank” and “The Trial of the Chicago 7”. These films competed with Zhao’s “Nomadland,” a contribution from Searchlight, a division of the Walt Disney Company. The other nominees for best picture were “Sound of Metal”, “Minari”, “Promising Young Woman”, “Judas and the Black Messiah” and “The Father”.
There was nothing usual about the show.
Soderbergh wasn’t your usual Oscar producer, which may make him the perfect pick for this very unusual year. He and his production partners for the event, Stacey Sher and Jesse Collins, avoided Zoom and implemented enough protocols to allow nominees a mask-free environment.
In the run-up to Sunday, Soderbergh repeatedly referred to the show as a three-act film. The television station’s staff included filmmaker Dream Hampton “Surviving R. Kelly” and veteran writer and director Richard LaGravenese (“The Fisher King”). Moderators were referred to as “performers”. These included Zendaya, Brad Pitt, and Bong Joon Ho, last year’s best director winner.
The ceremony usually included performances of the five pieces that were nominated for best song. Not this year. These were brought from the main stage to a preshow that allowed them to be performed in their entirety.
This time, however, the academy decided to hand out two honorary Oscars during the main show. (Since 2009, honorary statuettes have been awarded during a non-televised fall banquet.) The non-profit film and television fund that draws technicians for a nursing home and retirement village for aging and sick “industrial” people (actors, executives, choreographers, lighting) , Cameramen), received one. Founded in 1921 by stars like Mary Pickford and Charlie Chaplin, the organization also offers a wide range of other services to Hollywood seniors.
The second went to Tyler Perry, whom the Academy described as “a cultural influence that goes well beyond his work as a filmmaker.” Perry, of course, began his entertainment career as a playwright. Since the end of his popular Madea series in 2019, Perry has focused on producing TV shows such as Bruh, Sistahs and The Oval for BET. He owns a studio in Atlanta.
The Dolby Theater, home to more than 3,000 people and which has hosted the Academy Awards since 2001, wasn’t the epicenter of the television broadcast. That year, an Art Deco Mission Revival train station in downtown Los Angeles served as the main venue and only the nominees and their guests attended.
Comments are closed.